Giacometti and the Egyptians

Sounding like some kind of pop group, this is nonetheless a new exhibition at the Kunsthaus Zurich, juxtaposing the Swiss sculptor's work with Egyptian pieces from Berlin. Most of the Giacomettis are familiar, belonging as they do in the collection here. I had a very quick first look around today and it was intriguing to see the obvious influences. All the following images are provided kindly by the Kunsthaus.

This bust of Akhenaton is from c. 1340 BC and is fashioned from painted stucco.

Giacometti made these sketches in 1921.

Finally a self portrait from the same year. There is a striking similarity, no? He was greatly influenced by the art of ancient Egypt, and this little exhibition is a fascinating way to examine that dialogue. One of those where you can dip your toe in a little and often and new insights will come to light. More later.

Comments
These images are all very similar to the carnival mask as in The carnival is Over.
# Posted By Rosemount | 4/2/09 9:07 PM
Rosemount - now you mention it, there is a similarity.
# Posted By richard | 4/3/09 11:08 AM
les grandes oeuvres sont toujours dans la filiation!
# Posted By Lasiate | 4/3/09 12:06 PM
l'Asiate - "The great artist takes what he needs". I can't remember who said that. Thanks for the visit - nice photos over on Fiat Lux!
# Posted By richard | 4/3/09 2:32 PM
Lorsque je regarde cet auto-portrait de Giacometti, je ne peux m'empêcher de le comparer avec celui où Courbet s'arrache les cheveux où il ressemble tant à Johnny Depp ; tu vois duquel je veux parler ? Car les auto portraits sont en général ainsi : le peintre scrutant sa personne devant le chevallet. (Van Gogh fait aussi exception, le plus célèbre portrait étant celui à l'oreille bandée)
Les égyptiens avaient de grandes connaissances, en art comme en sciences, en architecture, médecine, astronomie etc... La simplification du trait est preuve de grand maîtrise.
# Posted By Cergie | 4/4/09 11:01 PM
Et on rejoint ce que je dis toujours : il faut connaitre ce qui a été fait pour avancer et progresser.
# Posted By Cergie | 4/4/09 11:04 PM
Cergie - I'm pleased you make these comments. I didn't say much here, but there is a lot of mileage in this simple exhibition. The young Giacometti - did he paint himself as he wanted to see himself? As a re-incarnation of the mysterious Akhenaton? He was a young man after all. And Courbet, with his look of "I woke up and forgot I had an appointment" - I think that's the portrait you mention.

And the Egyptians - as you rightly say a very sophisticated attitude towards art that is often overlooked, and misinterpreted from the figures in the friezes and documents. The sculptures make this very clear.

And learning from the past - here is Picasso, from a review of the current London exhibition

‘I have a feeling,’ Picasso said as he got older, ‘that Delacroix, Giotto, Tintoretto, El Greco and the rest, as well as all the modern painters, the good and the bad, the abstract and the non-abstract, are all standing behind me watching me at work.’ He also said that while he had a horror of copying himself he was happy to copy others: ‘Shown a portfolio of old drawings, for instance, I have no qualms about taking anything I want from them.’
# Posted By richard | 4/4/09 11:14 PM
Did you ever try your own self-portrait (drawing, painting, photo...)? I believe that we may have a tendency to see ourselves differently than how others may see us. (To the better or to the worse?)

The comparison between the Egyptian examples and Giacometti are striking!
# Posted By Peter | 4/9/09 3:06 PM
Peter - belated reply to this. At least with painting we can make ourselves in the image of that which we want to be. There seems to be a bit of this in the early Giacomettis. The camera is, mostly, just cruel
# Posted By richard | 4/12/09 5:37 PM
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